WALL PAINTINGS IN THE CHATEAU DE GERMOLLES: AN INTERDISCIPLINARY PROJECT FOR THE REDISCOVERY OF A UNIQUE FOURTEENTH-CENTURY DECORATION

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TitreWALL PAINTINGS IN THE CHATEAU DE GERMOLLES: AN INTERDISCIPLINARY PROJECT FOR THE REDISCOVERY OF A UNIQUE FOURTEENTH-CENTURY DECORATION
Type de publicationBook Chapter
Year of Publication2017
AuteursDegrigny C, Pique F, Cucchi M, Detalle V, Farrugia J-P, Le Goic G, Mansouri A, Martos-Levif D, Merienne F, Mounier A, Pamart A, Tedeschi C, Vallet J-M, Wefers S
EditorBentkowskaKafel A, MacDonald L
Book TitleDIGITAL TECHNIQUES FOR DOCUMENTING AND PRESERVING CULTURAL HERITAGE
Series TitleCollection Development Cultural Heritage and Digital Humanities
Pagination67-86
PublisherArc Humanities Press
CityP.O. Box 312, 33 Great George St, Leeds, ENGLAND
ISBN Number978-1-94-240135-3; 978-1-94-240134-6
Mots-clésChateau de Germolles, COSCH, dukes of Burgundy, Middle Ages, spatial and spectral imaging techniques, tin leaf decoration, wall paintings
Résumé

Chateau de Germolles. Situated in Burgundy, France, Germolles is the best preserved residence of the Dukes of Burgundy and was listed as a monument of national importance in 1989. The medieval wall decoration of the Chateau de Germolles was rediscovered under the nineteenth-century plasters during World War II. Medieval accounts of the chateau provide a detailed list of the materials acquired to make the mural decoration, but this list is incongruous when compared with the current appearance of the paintings. The discrepancy between the archival and material evidence, and also the need to understand the complexity of the painting technique used were the main motivations for undertaking the case study described in this chapter. Imaging alongside more traditional examination techniques were utilized to record and document the mural decoration. The objectives of the case study were to distinguish the original materials from those applied during restoration, identify those materials, and correlate them with the archives. We also tried to understand the medieval painting techniques used and assess the condition of the paintings and stabilization requirements. Finally we aimed to find a sustainable solution for the management of the various types of data collected. Various techniques and investigations offered valuable insights into the materials and the painting technique used. To improve visitor experience, based on the information gained in the course of this study, a 3D virtual representation of the original decoration is currently proposed for display to the public visiting the Chateau de Germolles.